三个火枪手读后感300字（一）

文/徐仪筱

这是一本励志小说，这是一本外国“武侠”小说，这是一本动人的小说，这是一本绝世佳作，这本书的名字叫《三个火枪手》。

这本书中，我最喜欢达德尼昂，因为他智慧、义气、勇气并存，从来不出卖朋友，机灵的他能将一个个危险化险为夷。当然其他的人物也各有特色，阿托斯长相帅气，波尔多斯性格多变，阿拉弥斯是一个虔诚的教徒，还有与米来狄一样美若天仙的柏娜修……

爸爸说，中国有一部武侠小说叫《多情剑客无情剑》和《三个火枪手》严重相似，里面的女主角林仙儿简直就是米来狄的翻版，一样的美若天仙，一样的心如蛇蝎……

这本书揭露了人世间的美与丑、罪与恶。坏人终究会被揭开那副虚伪的面纱，好人终将会有好报。

三个火枪手读后感300字（二）

《三个火枪手》很厚的一本书，读完的时候，有点小小的成就感，没办法，俗人吗，没写出来，读出来也蛮高兴，唉。

作为法国十九世纪浪漫主义文学运动的重要代表人物，大仲马在戏剧创作和小说创作领域均取得了巨大的成就。尽管如此，给大仲马带来巨大声誉的却是他的《基督山伯爵》、《三个火枪手》这两部传奇小说。

《三个火枪手》以法国国王路易十三与法国首相、红衣主教黎塞留之间权力斗争为背景，以法国宫廷秘史轶闻为铺延，描述了一段惊心动魄的传奇故事。语言诙谐幽默，布局独具匠心，人物性格勾画得栩栩如生，引人入胜。故事的结尾，四位好伙伴各自分飞，虽然结局都很好，但还是有点令人遗憾，没办法，天下无不散之筵席，生生死死，分分合合，生活本色。于我们，珍惜现在身边之人吧！毕竟，谁能陪谁走道生命的终点呢？

三个火枪手读后感300字（三）

友情是光明的象征，是正义的象征，它往往能够创造奇迹。的确，当年伯牙遇上子期，才足以让《高山流水》流传千古。蔺相如和廉颇互帮互助，才不使赵国收到入侵。卓文君为了司马相如，别豪门赴街市，当炉卖酒不言贫富；是啊，我们纵然可以得到数不清的财富，却无法得到数不清的友情。友情不能拿去挥霍攀比，却往往比金钱更重要，一个人可以贫困一生，但却不能没有朋友，朋友可以在你悲伤时带来安慰，在你沮丧时带来动力。没有朋友，就如同一只雄鹰没有了双翼，永远无法飞翔。友情不能强加给一个人，只能把它说做是一种缘，它能架起一座桥，把那些志趣相投的人的心相通，让他们萍水相逢，一个真正的朋友，能做到在患难前不离不弃，在利益前岿然不动，这就叫真正的友情。

三个火枪手读后感300字（四）

这几天我读了《三个火枪手》这本小说。我完全被故事的情节深深吸引。()故事曲折离奇非常扣人心弦。让读者和主人公一起喜怒哀乐，和主人公一起进入这个美丽的故事中去。

这个故事描写的是17世纪的法国，政治者争权夺利，矛盾重重。主人公是一个法国小子达达利昂，他善良淳朴聪明，一次又一次把自己的朋友从危险中拯救出来，打破红衣主教的阴谋。达达利昂还有三个朋友--阿多斯、波尔多斯，和阿拉米斯，他们正直、勇敢，为了朋友可以不惜一切。他们和主人公达达利昂，可谓是不打不相识。达达利昂无意间冒犯了这三位火枪手，他们为了荣誉要和达达利昂决斗，达达利昂只好硬着头皮接受了。本来达达利昂准备去送死，谁知道来了红衣主教的人，他们人多势众，要和三个火枪手决斗，达达利昂则加入了火枪手这一边，一起与敌人战斗。结果他们胜利了，也正因为这次战斗化解了大家彼此的误会，成为了好朋友。达达利昂也加入了火枪队，这样四个人从此形影不离，有福同享有难同当。大家从此决定反抗红衣主教，故事也就由此展开……

我看了这本小说受益匪浅，她让我知道了你一生中，朋友无处不在，不管你干什么，没有朋友，你什么事都干不成，。只有依靠大家的力量，团结一致，才能干大事。

三个火枪手英语读后感（一）

after reading it,the first feeling happened to my heart is that it just likes a fairy.though it may constructed basing on current century,it appears a certain happiness which seldom seemed in that world like<the count of monte cristo>. alexandre dumas pere's works show us his wonderful narratives and his hopes （maybe） to his world.so heros with great power always be seen in his works.so maybe i can't believe he is a very very good writer whoes works didn't give much importance of reality though i like him and his works very much.

this novel's four actors must leave a deep impression on us i think.athos'reason,melady's viciousion…all these consists of a beautiful world（with justice and evil） can love ,can hate ,can angery,can happy…with loyalty and nature.so clearly a world!

三个火枪手英语读后感（二）

the three musketeers is a marvelous journey and should be appreciated foremost for its engaging story. the techniques dumas employed to such success in 1840-- particularly his mastery of the form of the romance--still work today.

as we saw in the closing portions of the book, dumas gives us a fully developed romance within his historical framework. he starts with levity and confidence, and ends with moroseness and doubt. the ending, indeed, seems to question many of the books dearly held values. d'artagnan达达尼昂becomes a lieutenant in the musketeers, but his promotion comes from the cardinal--the cardinal whom he and his four friends had fought so valiantly against for the first half of the novel. in the epilogue, d'artagnan befriends the comte de rochefort, a cardinalist agent. was all that earlier fighting really worth it, then? or was there something futile in all the musketeers' efforts? both the possibility of futility and this return to the normal at the end of a great quest, characterize the form of the romance as much as do its lighter aspects. dumas sees the form through.

with dumas's historical context in mind, the melancholy of the romance becomes even more pronounced. it is almost as though dumas presents this wonderful romantic adventure, providing people with a chance to escape day to day toil and immerse themselves in better thoughts about their country, and then spurns it. he cannot bring himself to see the lie of romanticism through to the end. even bearing in mind that this turn to ambiguity is typical for the end of the romance, it is hard not to interpret the ending of the novel as dumas's rejection of romantic values.

there are two sequels to the three musketeers, which dumas wrote to capitalize on the success of the novel. they are entitled vingt ans apres, published in 10 volumes in 1845, and dix ans plus tard, ou le vicomte de bragelonne, published in 26 parts from 1848-1850. the latter opens in 1660, and tells of a matured, powerful d'artagnan, captain of the musketeers. it also contains the account ofporthos's heroic death. but despite these sequels, dumas never fully recaptured his success of 1844. his estate and his health declined until, after a period of furious attempted productivity to recoup his debts, he died in 1870. the romance left his life as well.

but the three musketeers is not merely a romance; it is also a great historical novel, and dumas's interesting approach to history also contributes to the success of his book. while he keeps his characters away from being major players in national events, he is not afraid of brazenly attributing human motives to history. in dumas's version, france and england very nearly fight a war simply because the duke of buckingham loves anne of austria: john fenton assassinates buckingham because of personal reasons provided by milady, and so on. part of the entertainment of the three musketeers is that, in seeming to avoid the great events and focus on petty affairs, dumas explains the great events more satisfyingly and entertainingly than any direct explanation of affairs of state could hope to do. history does not have a face-- d'artagnan has a face, and a handsome one at that.

dumas's formula serves his story well. his incorporation of romanticism into the historical novel lifted an entire genre of literature into public adulation, and gave the french people a story that reassured them about their country even as it brought them away from their country's troubles. popular literature must be considered on two fronts: aesthetically and socially, as literature and as a popular artifact. the best popular literature, like the work of alexandre dumas, supercedes the latter category to come into our minds as a work of literature in its own right. it is not necessary to know about dumas's life, or about french history, or about the genre of romance, to enjoy the three musketeers. the superlative entertainment of the novel speaks for itself--which is why it remains so important and so interesting to study it.

三个火枪手英文读后感

the three musketeers is a marvelous journey and should be appreciated foremost for its engaging story. the techniques dumas employed to such success in 1840-- particularly his mastery of the form of the romance--still work today.

as we saw in the closing portions of the book, dumas gives us a fully developed romance within his historical framework. he starts with levity and confidence, and ends with moroseness and doubt. the ending, indeed, seems to question many of the books dearly held values. d'artagnan becomes a lieutenant in the musketeers, but his promotion comes from the cardinal--the cardinal whom he and his four friends had fought so valiantly against for the first half of the novel. in the epilogue, d'artagnan befriends the comte de rochefort, a cardinalist agent. was all that earlier fighting really worth it, then? or was there something futile in all the musketeers' efforts? both the possibility of futility and this return to the normal at the end of a great quest, characterize the form of the romance as much as do its lighter aspects. dumas sees the form through.

with dumas's historical context in mind, the melancholy of the romance becomes even more pronounced. it is almost as though dumas presents this wonderful romantic adventure, providing people with a chance to escape day to day toil and immerse themselves in better thoughts about their country, and then spurns it. he cannot bring himself to see the lie of romanticism through to the end. even bearing in mind that this turn to ambiguity is typical for the end of the romance, it is hard not to interpret the ending of the novel as dumas's rejection of romantic values.

there are two sequels to the three musketeers, which dumas wrote to capitalize on the success of the novel. they are entitled vingt ans apres, published in 10 volumes in 1845, and dix ans plus tard, ou le vicomte de bragelonne, published in 26 parts from 1848-1850. the latter opens in 1660, and tells of a matured, powerful d'artagnan, captain of the musketeers. it also contains the account of porthos's heroic death. but despite these sequels, dumas never fully recaptured his success of 1844. his estate and his health declined until, after a period of furious attempted productivity to recoup his debts, he died in 1870. the romance left his life as well.

but the three musketeers is not merely a romance; it is also a great historical novel, and dumas's interesting approach to history also contributes to the success of his book. while he keeps his characters away from being major players in national events, he is not afraid of brazenly attributing human motives to history. in dumas's version, france and england very nearly fight a war simply because the duke of buckingham loves anne of austria: john fenton assassinates buckingham because of personal reasons provided by milady, and so on. part of the entertainment of the three musketeers is that, in seeming to avoid the great events and focus on petty affairs, dumas explains the great events more satisfyingly and entertainingly than any direct explanation of affairs of state could hope to do. history does not have a face-- d'artagnan has a face, and a handsome one at that.

dumas's formula serves his story well. his incorporation of romanticism into the historical novel lifted an entire genre of literature into public adulation, and gave the french people a story that reassured them about their country even as it brought them away from their country's troubles. popular literature must be considered on two fronts: aesthetically and socially, as literature and as a popular artifact. the best popular literature, like the work of alexandre dumas, supercedes the latter category to come into our minds as a work of literature in its own right. it is not necessary to know about dumas's life, or about french history, or about the genre of romance, to enjoy the three musketeers. the superlative entertainment of the novel speaks for itself--which is why it remains so important and so interesting to study it.

三个火枪手的读后感（一）

过《三个火枪手》，读玩这本书，完全被这扣人心弦的故事情节吸引住了，仿佛和作者一起进入了这美丽的故事。

这个故事描写的是17世纪的法国，政治者争权夺利，矛盾重重。主人公是一个法国小子达达尼昂，他善良、淳朴、聪明，一次又一次把自己的朋友从危险中拯救出来，一次又一次粉碎红衣主教的阴谋。说到这里，我不得不提到达达尼昂的三个朋友----三个火枪手：阿托斯、波尔多斯和阿拉米。他们是非常好的朋友，他们正直、勇敢，有绅士风度。说到他们和达达尼昂是怎样认识的，那真是一段奇遇，可谓不打不相识。达达尼昂无意间冒犯了这三位火枪手，他们为了荣誉要和达达尼昂决斗，达达尼昂只好硬着头皮接受了。达达尼昂本来想去送死，谁知红衣教主的卫兵来了，他们人多势重，要和三个火枪手决斗，达达尼昂则加入火枪手这一边，就这样，大家同仇敌忾，一起战胜了敌人。也正因为这次战斗，化解了大家彼此的误会，成了非常要好的朋友。达达尼昂经努力也加入了火枪队，从此，四个人形影不离，有福同享有难同当。大家接受了反抗红衣教主的任务。

故事也就此展开。作者生动地描写了他们四个人战斗后面的场面，以高超的写作水平烘托出达达尼昂、阿托斯、波尔多斯、阿拉米这四个个性炯然不同的人物。看了这部小说，我也受益匪浅，“一个篱笆三个桩，一个好汉三个帮。”朋友能给自己带来很大的帮助，就像这四个朋友互相帮助，共渡难关一样，也就是因为这样，他们才能从一个个危险和困难中走出来。而且，人要证明自己就要以实际行动来证明，在经历了无数风险和危难后，达达尼昂终于获得了自己想要的一切！也许人生原本就充满酸甜苦辣！只要努力，一切都会好起来的！

三个火枪手的读后感（二）

对于《三个火枪手》已经仰慕很久，终于有机会看完了这本书，书中讲到四个性情各异的朋友间的友情，老奸巨滑却又不失绅士之气的老人，疯狂到为一个女人发动一场战争的贵族，心如蛇蝎貌美如花的女人……这只是一个好玩的故事而已。而故事里面最吸引人的，是每一个人物，都充满了对世界的热情。更多初中作文尽在巨人作文网。

对这本书仰慕许久，终于在这个双休日躺在床上看完了。可惜我不是法国人，对那段历史并不太了解，但一部热情的作品，有时候的确可以超越许多东西。我觉得这个好的故事有两种好法，一种是发人深省的，作家会在这篇故事里承载许多东西，包括他的思想，他的理念，他的憧憬甚至他心灵深处最茫然的疑问；而另一种则轻松的多，没有批判没有愤怒没有挑衅没有悲悯，他只是想讲个有趣的故事而已，而甚至我觉得，写这个故事是为了什么，好玩而已。而《三个火枪手》就是这一类的故事。

四个性情各异的朋友间的友情，老奸巨滑却又不失绅士之气的老人，疯狂到为一个女人发动一场战争的贵族，心如蛇蝎貌美如花的女人……这只是一个好玩的故事而已。而故事里面最吸引人的，是每一个人物，都充满了对世界的热情。动不动就说出的爱，动不动就以生命为赌的决斗，也许在现实中我们会觉得这个是轻率，但既然我们是莫名其妙来到这个世界上的，我们又何必把生命看的太沉重。树立自己的价值观哪怕是幼稚，爱自己选择的女人哪怕是疯狂，憎恨自己的敌人哪怕是残忍……反正又不是圣人，错了就改，痛了就哭，也许这是一句很俗气的话“我无法选择我的人生是快乐还是痛苦，我只求他货真价实。”

每一个人都在选择自己的人生，在以前，我看史记觉得很不理解，为什么有人会为了一句赞赏而为其送命；我看基督山伯爵都看不下去，为什么他会如此恨的热烈；我用我的价值观来判断，这个是对的，这个是错的。我总是希望说服别人，希望大家都走到正确的道路上。

但是现在我觉得，到底什么是正确的？我不知道哪条路是对的，我甚至连选择后悔最少的路都做不到。

就和达尔大尼央一样，他爱的情人最后死在他同样追求过的一个女人的手上，他勇敢，正直，忠诚，聪明……但却仍保护不了他深爱的女人。我想他也会后悔吧，他会哭，会报仇，他的人生路还是要走下去。以后仍然会有爱情，幸福，后悔，泪水。

我喜欢过这样反反复复的人生，看新的故事，也不时翻阅以前的感动；认识新的朋友，但遇见老朋友仍然可以默契地聊天。有说笑，有争吵；有猜疑，有原谅；有泪水，有快乐……就好象我每天看见这个城市的夕阳，有时候我会很惆怅，有时候我又会觉得很安心。但无论如何，只有愿意去看，才会产生这些情感。

只有新鲜地活着，才会有新鲜的喜怒哀乐。有那么多不知道的事情，有那么多无法把握的事情，有那么多无法理解的事情，会不会还蛮好玩的。有许多事情我做不到，这个也没什么丢脸的，只要我想做的事情，我就去货真价实地做一遍吧。

三个火枪手的读后感（三）

这些天，我看了大仲马的长篇小说《三个火枪手》，世界大文豪大仲马手下的《三个火枪手》是如此精彩，我最向往的就是文中的主角达大南与三个火枪手正气凛然的气质，他们不畏衣主教的亚势力的阻挠，保住皇后的尊严。

我认为这部名着最大的特点就是通谷易懂，对主角人物的刻画十分鲜时清晰。达大南就是其中最鲜明的一个。大仲马把他刻画成了一个勇敢、机智、见义勇为、珍惜友谊的大英雄，三个火枪手也各具鲜明的特点，阿多斯处理老炼，嫉恶如仇又一身正气，波托斯善良冒失，没头脑，爱自夸自大，()阿拉米举止文雅，酷爱神学。这四个性格各异的兄弟国王和王后的利益赴汤蹈火，在他们身上弥漫了英雄议和浪漫主义的气息，这就17世纪法国骑士们。

这本巨着的主题很广，最显着的就火枪手们勇敢不屈，不畏艰苦的英雄气概，不管前方的路有多么艰苦，都不屈不挠，这种可贵的精神，是值得我们学习的，因此，我十分欣赏这些忠诚的骑士们。

为了国家的荣誉而战，这是他们勇往前进的一个主要动力，使命感的强烈，这就骑士的风度，祖国在心中是最高的，而性命可能早已忘记，不知道死高亡什么会到来，可是为了国家可是赴汤蹈火。

这个故事是个悲剧，一切为了王后和白金汉，而红衣主教竭力制止，导致了一个两败俱伤的结果，白金汉，波那雪被红衣主教的手下暗杀，火枪手各奔东西，只留下了达达尼昂一个人。这又告诉我们，人与人之间的斗争阴险狡诈的，危险无处不在。