电影英语影评

——《闻香识女人》英语影评

scent of a woman "scent of a woman" , a very attractive film title, it is easy for people to think some other thing. however, this film from beginning to end is really a one between two men. the two men are not brother, nor father and son. one is a blind veteran, one is a famous school student, when saw it first, it is difficult to see the same of the two people. if thanksgiving day high school chris can go home, but for he don't need money, but for the veteran refuse to take a holiday with his family, but for officer's family were worried about him,there would not be such a story happening.

living in the rich kids gathered school, family leaves thousands of miles from school,just live with scholarship , his mother remarried, and poor relationship with his stepfather, charlie's live is not easy. but his witnessed a number of students prepared to tease the principal, the principal let him speak the mastermind, or they will be punished. he is in such a trouble when work in lieutenant colonel's home. lieutenant colonel had experienced many wars, and his eyes was blind in an accident.he stay at home and doing nothing but drinking, he lost the courage and confidence to live.

two different situations,both of them trapped by life, after a weekend 's contact, both found survival value in each other . after a two-day journey,the minds of the two people grew slowly. colonel use his life experiences and stubborn temperament told charles should found a reason to uphold the convictions, chris use his sensitivity and firm told lieutenant colonel what state should be take to his own life. they know in just a few days, they are not blood, between them they produced a wonderful relationship, this relationship across the age, situation, experience 's obstacles.

end of the video, everything resumed to what it should be . charlie's troubles resolved by the help help of lt. col lieutenant.colonel charles's suicide decision was dispelled by chris. they return to the original life. however, all have happened had a little different. because charlie is no longer confused, he can be more firmly to his principles and beliefs,. lieutenant colonel is no longer violent, he can keep calm state of mind to enjoy his later life. i think watch this movie is like watching a really good cup of tea, perhaps the beganning is faint odor, but after is lingering fragrance convoluted as far as i am concerned,it is a great one,i like it!

汉尼拔电影影评（一）

电影《汉尼拔》中让我觉得最有趣的地方是赋予安东尼·霍普金斯以中世纪图书馆馆员的身份，并有希望担任馆长一职，从而营造出阴森神秘的中古气氛。不过音乐却用得漏出了马脚，巴赫的《戈德堡变奏》在里面像是个“时代错误”，为什么不用dufay{杜菲（guillaumedufay），1400——1474，法国人，尼德兰乐派的代表人物之一。他也写作世俗音乐，但他的声望主要来自于宗教音乐，包括弥撒和经文歌，并于创作和研究过程中创立了四部和声的写作技巧，为后来“对位法”的理论完善开辟了道路。}的音乐呢？

有朋友提到影片中引用的但丁十四行诗“aciascum'almapresa”，其实我早已觉得它很有意思了，关键在于它让我注意到了其中的一个引申含义。

这首十四行诗是但丁最出名的早期作品，选自诗集《新生》（lavitanuova），这首作品的重要背景恰恰和电影主题相关。

除了但丁与俾德丽采之间的情事之外，“诗人之心”还隐藏着一个中世纪典故，诗人cabestain与领主之妻恋爱，领主便杀了诗人，把诗人的心烹给妻子吃，女人坦然食之道：“我吃的是世上再金贵不过的东西了。”然后绝食而去。

德国人编写的象征辞典里，心，象征生命和灵魂，基督教时代成为信仰的象征，其被赋予浪漫色彩是中世纪后期的事儿了。

影片《汉尼拔》特地引用这首诗是为最后“食人脑”场景埋下伏笔，最后在美式厨房里上演的人脑大餐也正是一项古老的爱情祭祀仪式。

汉尼拔食仇人脑，是象征对主人公的精神恋爱。这和但丁拿cabestain的典故来表达对俾德丽采的爱如出一辙。从人心到人脑，大概是现代人重“脑”（理性）贬“心”（信仰）的产物。

不了解历史背景，就无法深层次理解其下所蕴涵的潜文化，从上足以证明多多了解历史的重要性，当然，历史的学习决不仅局限于历史教科书。

汉尼拔电影影评（二）

二十世纪中期，第二次世界大战的战火依然是烈焰滚滚的时候。整个欧洲几乎都被这烈焰燃烧起来。原本家境优越的英俊少年汉尼拔·莱克特（加斯帕德·尤里尔），过着无忧无虑的幸福生活。但是，世界大战的突然爆发却将一切都无情地打破，并迫使莱克特一家流亡逃难来到了中欧小国立陶宛。

在逃亡途中，和千百个不幸的平民家庭一样--汉尼拔·莱克特一家时刻都在遭受着无情的战争所带给他们的痛苦、别离甚至死亡。十几岁的汉尼拔亲眼看着父母双亲在战火纷飞中惨死。失去父母的爱护之后，可怜的小汉尼拔只能和姐姐相依为命。但是，没过多久，惨痛的一幕再次上演--他再次亲眼目睹了亲人的生命被无情的剥夺--姐姐被饥饿难当的士兵们生吞活剥了。幸存下来的汉尼拔因此遭受了致命的、甚至是贯彻一生的精神重创。

之后，流离失所的小汉尼拔被当作难民而被送往前苏联的孤儿院。这段时间，他终于享受到了短暂的安稳。随后，他又流亡到巴黎去寻找他的叔叔，但结果却有幸结识了他叔叔的遗孀--一位神秘的东方女人--“紫夫人”。这个“紫夫人”对小汉尼拔呵护备至，却怎样也无法让他从战争给他心里和精神上留下的阴霾中走出来……

主演：

影片讲述的故事发生在大半个世纪之前，以那一场令整个世界都翻天覆地的第二次世界大战为背景，通过这样残酷的历史事实来营造一个令英俊少年汉尼拔最终从幸福之家走向疯狂噬血的地步，再合适不过了。同在上个世纪发生的，安东尼·霍普金斯塑造的堪称影坛经典的“汉尼拔形象”早已深入人心，甚至成为一些人的梦魇。但是现在，好莱坞再牛的化妆术想必也不可能再次让霍普金斯的老脸回复少年的青春模样。于是，这次便有了在《漫长的婚约》里扮演痴情的逃兵丈夫的加斯帕德·尤里尔饰演这个一步步走入杀戮世界的少年食人魔的机会。尤里尔有着一副迷死众多女影迷的清纯外表。很且，这个法国年轻人似乎也很会揣摩角色的精神状态，在表演过程中，很快便在与导演的沟通中碰撞出了激情的火花。因此迅速地融入汉尼拔的变态精神世界当中。及时收敛起少年的纯真、冷酷另类的杀气显露无疑，张弛有度地表现出少年汉尼拔被战争荼毒之后，精神逐渐扭曲的成长历程。通过此片的出演，加斯帕德·尤里尔的演技也增进不少，可谓是双赢。

传说，当年由于“无知”而错过与好莱坞两大影帝合作的绝佳机会（与阿尔·帕西诺、罗伯特·德·尼罗合演《盗火线》），而晚了尽十年时间在世界影坛出头的中国女星巩俐，近两年堪称再次崛起。去年，凭借一部讲述日本艺妓故事的《艺妓回忆录》，迅速在世界影坛窜红。并得到了强势的好莱坞电影界的极大认可。其之后的国外片约亦接踵而至。2006年暑期上映的《迈阿密风云》中，巩俐虽未在根本上逃脱好莱坞惯常的“女性地位低微”的电影定律。但却凭借其在片中颇为“强悍”到位的出演，而受到了一致好评……

倘若托马斯·哈里斯从此再不打算写个关于“杀人狂汉尼拔”再有个什么所谓“继承人”的故事，想必这部《少年汉尼拔》应该算是这个精彩的电影系列的终结篇了。与前三部一样，《少年汉尼拔》也是由汤玛斯·哈里斯先创作成小说再亲自改编成剧本。当年的《沉默的羔羊》中，汉尼拔医生处理他心中“完美”的人体时，科学的冷静、疯狂的优雅让世人大开眼界；在随后的《汉尼拔》中，他虽已经显现出了老态龙钟的迹象，但其打开人头颅的高超手艺仍令女警察着迷不已；《红龙》中，人们又再次领略了在连环杀手和犯罪心理学两个领域都造诣颇深的他。虽然，随后两部续集的成绩和口碑远不能达到第一部的高度，但只要史上最有魅力的变态杀手汉尼拔的故事还没讲完，好莱坞就不会放过任何榨取其商业价值的机会。有“老手”哈里斯亲自执笔，再交由因《戴珍珠耳环的少女》而扬名国际的彼得·韦伯执导，后者对电影语言成熟的操控能力让这部影片颇有盼头。相信，这部“汉尼拔”新篇将再次激起人们对“吃人医生”的尖叫声……

汉尼拔电影影评（三）

如果能够更多一点优雅，更少一点血腥，也许由雷德利·斯科特导演的惊悚剧情片《汉尼拔》会更像是一部成功的艺术片。不过，这是一种错误的认识。如果没有血腥的暴力，《汉尼拔》将没有任何艺术性可言。

同《沉默的羔羊》相比，《汉尼拔》的重点不在悬疑的设置上，而在斯黛琳和汉尼拔情感关系的安排上。这是影片最有内涵的方面，其他人物不过是这两个人物情感之汤的调味品。因此，在某种程度上如果将此片列为情感片似乎更合适一些。

斯黛琳和汉尼拔一正一邪，但他们本质上，都具有宗教献身精神。只不过，斯黛琳代表了新教的宽容、慈爱与拯救，汉尼拔却更多展现了西方宗教对恶的血腥的惩罚与毁灭。

汉尼拔那么喜欢吃人，为什么对斯黛琳下不了口？在《沉默的羔羊》中，这个医生就嘲笑斯黛琳是个鞋子露出寒酸气的并不高雅的女人。在《汉尼拔》中，保罗也是用乡下女人的字眼侮辱斯黛琳。但不一样的是，汉尼拔欣赏斯黛琳寒酸外相下高雅纯洁的灵魂，而保罗却正相反。汉尼拔吃掉保罗的脑与他将帕齐刨心挖腹以及诱导维杰自割皮肉一样，因为他们贪婪、淫邪，这些都是罪孽。看过美国电影《七宗罪》的人应该对此有更深的体会。

信仰上帝的，或者说，自认为了解上帝的人都以残暴的方式处死了罪孽。只不过，随着时间的推移，善与恶的认定在变化。在中世纪，政教合一；在现代社会，政教分离，被认为罪孽的人，开始由政府制定的法律惩罚。汉尼拔医生生错了时代，他应该回到中世纪去。

斯黛琳探员与汉尼拔医生的最大区别，在于她的宗教精神适合现代文明社会。不过，如果汉尼拔医生真的回到中世纪，他倒不大可能任职于宗教裁判所，而更可能像布鲁诺一样被裁判所裁定为异端而被烧死。因为汉尼拔医生不仅具有宗教献身精神，而且聪明机智，博学多识。有这两点素质的人一般都喜欢反思现实社会的人生并且勇于叛逆。再进一步说，汉尼拔医生还是个具有艺术天分的教授，他懂得绘画，善于欣赏音乐，即使在杀人时，他也能将自己陶醉在艺术的胜境里。在《沉默的羔羊》中，他杀人时沉迷于《戈德堡变奏曲》的音乐旋律之中；在《汉尼拔》中，他杀人前给被害人津津讲解与被害人祖上有关的绘画。这些都证明西方艺术对汉尼拔暴虐的杀戮不仅没有阻碍，而且具有某种促成作用。生于1844年的德国哲学家尼采就是个有知识、懂艺术的人，结果他疯了，汉尼拔不是布鲁诺、尼采那样深邃的思想家，但他观人于微，与后者近似。

影片的结尾最具艺术蕴含。汉尼拔在飞机上与好奇的小女孩对话。小女孩不吃机上提供的配餐，而对汉尼拔餐盒中保罗的脑组织感兴趣。汉尼拔鼓励小女孩吃下去，从而将探索和叛逆的种子植入小女孩的心田。汉尼拔的眼神里充满赞许、慈爱和期待。最后，镜头将他的眼神定格为天空闪烁的星。还记得康德的墓志铭吗？他说有两种东西我们对它思索越深，越有一种敬畏感：一个是头顶上的星空，一个是我心中的道德律。影片对汉尼拔医生眼神的处理，说明医生的身上也拥有某些令人敬畏的东西。如果我们熟悉西方神话，那么，不难联想到撒旦也曾在伊甸园教唆人类偷食禁果。如今，汉尼拔医生在飞机上教小女孩吃人脑。这些都是叛逆，也都是知识的开始。

在这个世界上，对于大多数敬畏天空的人来说，人生莫不如此。汉尼拔和斯黛琳也一样，他们同样勇敢而敬畏清廉的精神。所以，斯黛琳爱汉尼拔吗？或者，她愿意像浮士德博士一样，将灵魂交给魔鬼并和魔鬼遨游于宇宙之间吗？在影片中，斯黛琳没有，可是，在她的眼角里却浸满泪水。()我们因此可以说，斯黛琳和汉尼拔具有某种复杂的情感关系。但若深究一步，未尝不可以说这两个人物只不过表现了西方人心灵的两个方面：善与恶，美与丑。所令人憾恨的是，在西方文化中，真理更经常地掌握在看似丑恶的魔鬼手中。看一看弥尔顿的《失乐园》，这一点不难理解。无论在何处，真、善、美的统一总是一切人类的梦想与追求。因此，象征美善的斯黛琳探员也就不可能不对举止优雅、内心深邃的汉尼拔医生抱有一种复杂的情感。就这一点来说，影片不经意中蕴含了西方文化千百年来无法解决的一个内在矛盾。尼采宣告上帝死了，企图以此化解皈依上帝与顺从魔鬼的矛盾。上帝已经死了一百多年，但斯黛琳探员依然无法与魔鬼并肩揽腕。看来尼采的计谋也不过是水上作画而已。难怪有人说，现在的西方，连“人”也死掉了。

英语电影观后感

——刮痧英语读后感

when i was a freshman in college i watched the film gua sha treatment for the first time, now i am a junior student and i come back to review the movie from a multicultural aspect, i have many different feelings after watching the film again.

at the beginning of the film, xudatong is given an award and later he delivers a speech. what makes me impressed most is in his speech he says “one day i will become one of you, a truly successful american, today this award proved that america is a true land of opportunity and i am the living proof of that.” at that moment xu thinks he has realized his american dream totally with his lovingly wife and adorable son. however, i think it is ironical that to make a speech like that and i assume it is made on purpose to hind a clue for the story’s development. how many non-american people have such a beautiful american dream? one of my classmate studies in american now and before he went aboard he told me his american dream is he can stand at the top of the new york. to be honest, i also dream that one day i can get the green card living there happily and successfully maybe working at the wall street. when xu gets the award he thinks he entirely melted in the melting pot neglecting the multicultural obstruct, later the plot goes against the way he thinks. and later quinlan asked xu ‘why you be the scapegoat of your father?’ xu answers ‘because he is chinese.’ then maybe xu knows that there is always a wide gap between chinese and american cultures.

the second scene is xu hit his son denis because denis hit the son of xu’s boss, at the middle of the film xu tells his boss that he hit his own son is only to show his respect to his boss john quinlan, that time quinlan feels puzzled “what a chinese logic”， yes, american can never understand such a logic full of chinese characteristic, because they respect everyone including the children, they won’t beat a child to please the boss, and there is no such a conception of degree between employee and employer, they feel everyone is equal, which is quite different from china.

connected to the second scene, the third difference i want to analyze is the care for the children. in america, people pay more attention to the right of children which can be seen from the law—leaving children alone at home is illegal, while in china it is so common that almost everyone may experience such loneliness. and children welfare agency does work in america which shows the importance americans attach to children’s right. what’s more, i remember a line ‘no one won the case, especially the child.’ in my opinion, it also manifests the universal concern from the american public to the children.

the fourth aspect is following the procedure, in the film, more than there times, the people focus on the rule, the law, the procedure. at the christmas eve xu wants to return back to his home pretending as a santa claus, what a pity, the security recognizes him and persuades ‘you are always a good tenement, never causes troubles for me.’ and another scene is at the end of the film , the judge says ‘i have to follow the procedure.’ however, in china people always have to ask for a favor to do something, and later you have to pay back the favor ，for myself, i prefer the american style, strict to the procedure.

the fifth and the last point is the humors, quinlan says ‘you can’t fall, your health security is the company paid.’ ‘datong, welcome home, maybe next time, you can come from the front door.’ ‘dady, why you come from the window’ ‘ because we don’t have a chimney.’ i really adore this distinguished american humor, especially in dangerous situations, which is quite rare in china.

that’s my whole reaction to gua sha treatment.

影评英语

——暮光之城英文影评

if you’re a vampire, it’s all about you. why is edward cullen obsessed to the point of erotomania by bella swan because she smells so yummy, but he doesn’t want to kill her. here’s what he tells her: he must not be around her. he might sink his fangs in just a little, and not be able to stop. she finds this overwhelmingly attractive. she tells him he is the most beautiful thing she has ever seen. i don’t remember edward ever saying that to her. maybe once. he keeps on saying they should stay far, far apart, because he craves her so much.

should a woman fall in love with a man because he desires her so much men seem to think so. it's not about the woman, it's about the man's desire. we all know there is no such thing as a vampire. come on now, what is "twilight" really about it's about a teenage boy trying to practice abstinence, and how, in the heat of the moment, it's really, really hard. and about a girl who wants to go all the way with him, and doesn't care what might happen. he's so beautiful she would do anything for him. she is the embodiment of the sentiment, "i'd die for you." she is, like many adolescents, a thanatophile.

  if there were no vampires in "twilight," it would be a thin-blooded teenage romance, about two good-looking kids who want each other so much because they want each other so much. sometimes that's all it's about, isn't it they're in love with being in love. in "twilight," however, they have a seductive disagreement about whether he should kill her. she's like, i don't especially want to die, but if that's what it takes, count me in. she is touched by his devotion. think what a sacrifice he is making on her behalf. on prom night, on the stage of the not especially private gazebo in the public gardens, he teeters right on the brink of a fang job, and then brings all of her trembling to a dead stand-still.

  the movie is lush and beautiful, and the actors are well-chosen. you may recall robert pattinson （edward） as cedric diggory, who on voldemort's orders was murdered in a graveyard in "harry potter and the goblet of fire." maybe he was already a vampire. pattinson is not unaware of how handsome he is. when bella and edward, still strangers, exchange stern and burning looks in the school cafeteria, he transfixes her with a dark and glowering - nay, penetrating - stare. i checked pattinson out on google images and found he almost always glowers at the camera 'neath shadowed brow. kristen stewart's bella, on the other hand, is a fresh-faced innocent who is totally undefended against his voltage.

  bella has left her mom and stepdad in hot arizona, clutching a potted cactus, to come live in the clammy, rainy pacific northwest, home of seasonal affective disorder. her dad （billy burke） is the chief of police of the very small town of forks, washington . his greatest asset: "he doesn't hover." at high school, she quickly notices the preternaturally pale cullen clan, who in some shots seem to be wearing as much max factor pancake white as harry langdon. edward is 114 years old. he must be really tired of taking biology class. darwin came in during his watch, and proved vampires can't exist.

  there are other strange youths around, including american indians who appear not too distantly descended from their tribe's ancestors, wolves. great tension between the wolves and vampires. also some rival vampires around. how small is this town the forks high school is so big, it must serve a consolidated district serving the whole table setting. the main local normal kid is a nice sandy-haired boy who asks bella to the prom. he's out of his depth here, unless he can transmogrify into a grizzly. also there are four grey-bearded coots at the next table in the local diner, who eavesdrop and exchange significant glances and get big, significant close-ups but are still just sitting significantly nodding, for all i know.

edward has the ability to move as swiftly as superman. like him he can stop a runaway pickup with one arm. he rescues bella twice that i remember, maybe because he truly loves her, maybe because he's saving her for later. she has questions. "how did you appear out of nowhere and stop that truck" well might she ask. when he finally explains that he is a vampire, he goes up from 8 to 10 on her erotometer. why do girls always prefer the distant, aloof, handsome, dangerous dudes instead of cheerful chaps like me.

  "twilight" will mesmerize its target audience, 16-year-old girls and their grandmothers. their mothers know all too much about boys like this. i saw it at a sneak preview. last time i saw a movie in that same theater, the audience welcomed it as an opportunity to catch up on gossip, texting, and laughing at private jokes. this time the audience was rapt with attention. sometimes a soft chuckle, as when the principal indian boy has well-developed incisors. sometimes a soft sigh. afterwards, i eavesdropped on some conversations. a few were saying, "he's so hot!" more floated in a sweet dreaminess. edward seemed to stir their surrender instincts.

the movie, based on the stephenie meyer novel, was directed by catherine hardwicke. she uses her great discovery, nikki reed, in the role of the beautiful rosalie hale. reed wrote hardwick's "thirteen" （2003） when she was only 14. that was a movie that knew a lot more about teenage girls. the girl played by reed in that movie would make mincemeat of edward. but i understand who "twilight" appeals to, and it sure will.